Tag: travel

John Daly-Peoples

A Century of Modern Art

Auckland Art Gallery  

June 7 – September 28

John Daly-Peoples

Auckland Art Gallery has announced that the exhibition “A Century of Modern Art” will be  its special winter exhibition this year, running from  June & through till September 28^th.

The exhibition will be on loan from the Toledo Museum of Art, Ohio, and will provide  a survey of the major artists who transformed modern art.

The exhibition will consist of 57 works by 53 artists, including Paul Cezanne, Edgar Degas, Helen Frankenthaler, Édouard Manet, William Merritt Chase, Amedeo Modigliani, Berthe Morisot, Claude Monet, Pablo Picasso, Camille Pissarro, Robert Rauschenberg, Pierre-Auguste Renoir, Vincent van Gogh, James McNeill Whistler, among others.

Director of Auckland Art Gallery Toi o Tāmaki, Kirsten Lacy says the calibre of works and artists in this collection is exceptional and not to be missed.  “A Century of Modern Art showcases the diversity and innovation that defined modern art movements,” says Lacy. “From the emotive brushstrokes of Van Gogh to the evocative landscapes of Monet and Rauschenberg’s bold abstractions, these works not only revolutionised Western art history but continue to inspire new generations.”

“The exhibition includes works by legendary art figures, including Vincent van Gogh, whose work hasn’t been publicly displayed here in Aotearoa in over a decade. It is made available to us due to renovations that are taking place at Toledo Museum of Art, and we are honoured to be working with the Museum to make the most of this rare opportunity.”

The centrepiece of the show will be Claude Monet’s  “Water Lilies” Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey    Plants, water, and sky seem to merge in Claude Monet’s evocative painting of his lily pond at Giverny. The disorienting reflections, bold brushstrokes, and lack of horizon line or spatial depth make Water Lilies appear almost abstract. Painted about 1922, it belongs to a grand project that Monet had conceived as far back as 1897:

“Imagine a circular room whose wall . . . would be entirely filled by a horizon of water spotted with [water lilies]… the calm and silence of the still water reflecting the flowering display; the tones are vague, deliciously nuanced, as delicate as a dream.”

Monet began this ambitious project in 1914, finally completing it shortly before his death in 1926. Over those years he executed more than 60 paintings of his water garden, capturing the light conditions at different times of day and in different weather. Twenty-two of these large panels were installed in the Orangerie in the Tuileries Gardens, Paris, as a gift to France. The  Toledo’s work was is possibly a study for one of the three panels of the Orangerie composition” Morning”.

Included in the exhibition is a work by artists Berthe Morisot one of the few female Impressionist artists. Her work “In the Garden at Maurecourt” (Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey) is set in Morisot’s sister Edma country house outside Paris and probably shows Morisot’s daughter, Julie, and one of Edma’s daughters.

She was born to an upper-middle class family and was the great-niece of Rococo artist Jean-Honoré Fragonard. Morisot rejected the social expectations of her class and gender by pursuing a professional career as an artist. In 1868 she met and became close friends with artist Édouard Manet, marrying his younger brother Eugène in 1874, the same year she participated in the first Impressionist group exhibition.

There is also a work by the recently deemed “controversial” Paul Gauguin. His work “Street in Tahiti” (Purchased with funds from the Libbey Endowment, Gift of Edward Drummond Libbey) which predates his Tahitian figurative works was among the first group of paintings Gauguin produced in Tahiti during his initial two-year stay. He conveyed something of the special character of the place—the limpid light, rich colour, lush vegetation, and lofty mountains—through his use of strong contours, flattened shapes, repeated curving rhythms, and tautly patterned brushstrokes. However, minor notes of strain, such as the brooding woman and heavy clouds pressing down from above, introduce undertones of sadness and disquiet.

A Century of Modern Art will make use of its current major exhibition “The Robertson Gift: Paths through Modernity” which includes works by. Georges Braque, Paul Cezanne, Fernand Léger, Henri Matisse, Piet Mondrian and Pablo Picasso.

Together the two exhibitions will trace out the birth of modern painting, beginning with the Impressionists in the 1860s, and follows its evolution through key movements such as Post- Impressionism, Symbolism, Cubism, Surrealism, Constructivism, German Expressionism, Bauhaus, De Stijl, Precisionism, and Colour Field Painting and Abstract Expressionism.

Adam Levine, the Edward Drummond and Florence Scott Libbey President, Director and CEO of the Toledo Museum of Art, says, “The Toledo Museum of Art is distinguished by the quality of its collection. Each acquisition in our institution’s history has been oriented to acquiring artworks of superlative aesthetic merit. Never have so many of our masterworks travelled together, and we could not be more excited for them to debut in Auckland.”

A Century of Modern Art is organised by the Toledo Museum of Art, Ohio and has been supported by HSBC and Auckland Art Gallery Foundation. Co-ordinating curator of the exhibition is Dr Sophie Matthiesson

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