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rockhttps://nzartsreview.org/wp-content/uploads/2025/10/case-river.jpegcase riverhttps://nzartsreview.org/wp-content/uploads/2025/10/case-purp.jpegcase purphttps://nzartsreview.org/wp-content/uploads/2025/10/case-kew.jpgcase kewhttps://nzartsreview.org/wp-content/uploads/2025/10/case-cover.jpgcase cover2025-10-06T21:01:55+00:00monthlyhttps://nzartsreview.org/2025/10/05/victoria-kelly-and-rossini-take-different-approaches-to-stabat-mater/https://nzartsreview.org/wp-content/uploads/2025/10/apo-stabat-mater-cts-blog-2.jpgxr:d:DAFLEsY23oY:3,j:34336638224,t:22090210xr:d:DAFLEsY23oY:3,j:34336638224,t:220902102025-10-06T00:51:47+00:00monthlyhttps://nzartsreview.org/2025/09/03/pop-to-present-at-auckland-art-gallery/https://nzartsreview.org/wp-content/uploads/2025/09/virginia-hendricks.jpgvirginia hendrickshttps://nzartsreview.org/wp-content/uploads/2025/09/virginia-thomas.jpgvirginia thomashttps://nzartsreview.org/wp-content/uploads/2025/09/virginis-elvis.jpgvirginis elvis2025-10-05T04:25:07+00:00monthlyhttps://nzartsreview.org/2025/09/14/peter-james-smiths-zealandia/https://nzartsreview.org/wp-content/uploads/2025/09/smith-leapofspirit-www.webpsmith LeapofSpirit-wwwhttps://nzartsreview.org/wp-content/uploads/2025/09/smith-rainshadow-www.webpsmith-RainShadow-wwwhttps://nzartsreview.org/wp-content/uploads/2025/09/smith-zealandia-www.webpsmith Zealandia-www2025-10-05T04:24:30+00:00monthlyhttps://nzartsreview.org/2025/09/17/feathers-of-aotearoa-the-colours-and-designs-of-new-zealand-birds/https://nzartsreview.org/wp-content/uploads/2025/09/feathers-p113-kea.jpgFEATHERS p113 Keahttps://nzartsreview.org/wp-content/uploads/2025/09/feathers-p101-barn-owl-feathers.jpgFEATHERS p101 Barn Owl Feathershttps://nzartsreview.org/wp-content/uploads/2025/09/feathers-p103-kereru.jpgFEATHERS p103 Kererūhttps://nzartsreview.org/wp-content/uploads/2025/09/feathers-p150-151-bar-tailed-godwits.jpgFEATHERS p150-151 Bar-Tailed Godwitshttps://nzartsreview.org/wp-content/uploads/2025/09/feathers-cover.jpgFeathers-cover2025-10-05T04:23:48+00:00monthlyhttps://nzartsreview.org/2025/09/21/nz-operas-adventurous-the-monster-in-the-maze/https://nzartsreview.org/wp-content/uploads/2025/09/monster-2nzopera-monster_in_the_maze_chorus_sarahcastle_ipulaga_aia_creditemmabrittenden_web.jpgmonster 2NZOpera-Monster_in_the_Maze_Chorus_SarahCastle_IpuLaga_aia_creditEmmaBrittenden_webhttps://nzartsreview.org/wp-content/uploads/2025/09/monster-5-nzopera-monster_in_the_maze_maakapohatu_horizontal_creditemmabrittenden_web.jpgmonster 5 NZOpera-Monster_in_the_Maze_MaakaPohatu_Horizontal_creditEmmaBrittenden_webhttps://nzartsreview.org/wp-content/uploads/2025/09/monster-3-nzopera-monster_in_the_maze_creditemmabrittenden_web.jpgmonster 3 NZOpera-Monster_in_the_Maze_creditEmmaBrittenden_web2025-10-05T04:23:17+00:00monthlyhttps://nzartsreview.org/2025/09/24/nz-rustic-the-nz-dream/https://nzartsreview.org/wp-content/uploads/2025/09/rustic-1-1.jpgrustic 1https://nzartsreview.org/wp-content/uploads/2025/09/rustic-2.jpgrustic 2https://nzartsreview.org/wp-content/uploads/2025/09/rustic-1.jpgrustic 1https://nzartsreview.org/wp-content/uploads/2025/09/new-zealand-rustic_cover-image.jpgNew Zealand Rustic_cover image2025-10-05T04:22:42+00:00monthlyhttps://nzartsreview.org/2025/09/26/a-celebration-of-shostakovich/https://nzartsreview.org/wp-content/uploads/2025/09/shos6.jpgshos6https://nzartsreview.org/wp-content/uploads/2025/09/shos-3.jpegshos 3https://nzartsreview.org/wp-content/uploads/2025/09/shos.jpegshos2025-10-05T04:22:09+00:00monthlyhttps://nzartsreview.org/2025/09/28/a-mesmerizing-performance-by-chloe-chua-with-the-auckland-philharmonia/https://nzartsreview.org/wp-content/uploads/2025/09/apo-chloe.jpgapo chloe2025-10-05T04:21:34+00:00monthlyhttps://nzartsreview.org/2025/10/05/mozart-shostakovich-impress-at-auckland-philharmonia-concert/https://nzartsreview.org/wp-content/uploads/2025/10/image.pngimagehttps://nzartsreview.org/wp-content/uploads/2025/10/apo-benjamingrosvenor_c_andrej_grilc_08803_jpg.webpapo BenjaminGrosvenor_c_Andrej_Grilc_08803_jpg2025-10-05T04:20:13+00:00monthlyhttps://nzartsreview.org/2025/09/10/louise-bourgeois-exhibition-coming-to-the-auckland-art-gallery/https://nzartsreview.org/wp-content/uploads/2025/09/bourgouis-spider-iv.jpgbourgouis spider ivhttps://nzartsreview.org/wp-content/uploads/2025/09/l2024_3.webpL2024_32025-09-09T22:58:47+00:00monthlyhttps://nzartsreview.org/2025/09/08/mahlers-dynamic-symphony-no-6/2025-09-08T10:08:32+00:00monthlyhttps://nzartsreview.org/2025/09/04/nzso-performs-stabat-mater-compositions-by-rossini-and-victoria-kelly/https://nzartsreview.org/wp-content/uploads/2025/09/stabat-2.jpgstabat 22025-09-04T01:46:23+00:00monthlyhttps://nzartsreview.org/2025/09/01/don-binney-the-1972-interview/https://nzartsreview.org/wp-content/uploads/2025/09/gow-binney-summer-fernbird-ii-1966.webpgow binney-summer-fernbird-ii-19662025-09-01T00:20:44+00:00monthlyhttps://nzartsreview.org/2025/08/31/the-mother-of-gothic-horror/https://nzartsreview.org/wp-content/uploads/2025/08/image-1.pngimage2025-08-31T01:03:52+00:00monthlyhttps://nzartsreview.org/2025/08/18/nzsos-ascension-three-contemplations-of-nature/https://nzartsreview.org/wp-content/uploads/2025/08/nzso-2fig.webpnzso 2fig2025-08-17T22:03:22+00:00monthlyhttps://nzartsreview.org/2025/06/15/rarely-seen-american-and-european-art-at-the-auckland-art-gallery/https://nzartsreview.org/wp-content/uploads/2025/06/toledo-georges-braque-still-life-with-fish-1941.-toledo-museum-of-art-purchased-with-funds-from-the-libbey-endowment-gift-of-edward-drummond-libbey.jpgStill Life with FishStill Life with Fishhttps://nzartsreview.org/wp-content/uploads/2025/06/toledo-max-beckmann-the-trapeze-1923.-toledo-museum-of-art-purchased-with-funds-from-the-libbey-endowment-gift-of-edward-drummond-libbey.jpgMax Beckmann, German, 1884-1950; The Trapeze; 1923; oil on canvas;H: 77 3/8 in. (196.5 cm); W: 33 1/8 in. (84 cm)Max Beckmann, German, 1884-1950; The Trapeze; 1923; oil on canvas;H: 77 3/8 in. (196.5 cm); W: 33 1/8 in. (84 cm);Toledo Museum of Art; 1983.20;https://nzartsreview.org/wp-content/uploads/2025/06/toledo-helen-frankenthaler-blue-jay-1963.-toledo-museum-of-art-gift-of-the-woodward-foundation.jpgtoledo Helen Frankenthaler, Blue Jay, 1963. Toledo Museum of Art, Gift of The Woodward Foundationhttps://nzartsreview.org/wp-content/uploads/2025/06/toledo-luther-emerson-van-gorder-flower-market-paris-late-19th-century-early-20th-century.-toledo-museum-of-art-gift-of-the-artist.jpgFlower Market, ParisFlower Market, Parishttps://nzartsreview.org/wp-content/uploads/2025/06/toledo-auguste-renoir-road-at-wargemont-1879.-toledo-museum-of-art-purchased-with-funds-from-the-libbey-endowment-gift-of-edward-drummond-libbey.jpgPierre-Auguste Renoir, French, 1841-1919; Road at Wargemont; 1879; oil on canvas;H: 31 3/4 in. (80.6 cm); W: 39 3/8 in. (100 cm)Pierre-Auguste Renoir, French, 1841-1919; Road at Wargemont; 1879; oil on canvas;H: 31 3/4 in. (80.6 cm); W: 39 3/8 in. (100 cm) Liquid colors in glowing, gem-like tones glide into each other, blurring contours, in one of Pierre-Auguste Renoir’s most remarkable landscapes. Renoir painted it in late summer 1879, while a guest at the estate of banker and diplomat Paul Bérard in Wargemont in northern France. Renoir was enchanted by the countryside around Wargemont, setting up his easel outside to record his impressions of the forests, fields, and coastline. The dreamlike view of rolling hills, winding road, lines of trees, and clumps of bushes is experimental and forward-looking in technique. Renoir applied his thin, translucent layers of paint wet into wet—that is, he applied fresh paint to already-wet areas. This method gave the image its fluid, unfocused, and luminous appearance. His rapid, spontaneous execution invigorates a scene of nature in flux as the wind picks up and a storm rolls into the valley.;Toledo Museum of Art; 1957.33;2025-08-16T02:28:26+00:00monthlyhttps://nzartsreview.org/2025/08/13/aroha-gossage-into-the-light/https://nzartsreview.org/wp-content/uploads/2025/08/aroha-gossage-manuka.jpgaroha-gossage-manukahttps://nzartsreview.org/wp-content/uploads/2025/08/aroha-gossage-light.jpgaroha-gossage-lighthttps://nzartsreview.org/wp-content/uploads/2025/08/aroha-gossage-anahera.webparoha-gossage-anahera2025-08-13T04:08:14+00:00monthlyhttps://nzartsreview.org/2025/08/10/the-auckland-philharmonias-daphnis-et-chloe/https://nzartsreview.org/wp-content/uploads/2025/08/apo-bakst-set-2daphnis-and-chloe-bsn-gallery-2.jpgapo bakst set 2Daphnis-and-Chloe-BSN-Gallery-2https://nzartsreview.org/wp-content/uploads/2025/08/apo-javier-perianes-c-igor-studio_1600.jpgapo Javier-Perianes-C-Igor-Studio_16002025-08-10T04:21:19+00:00monthlyhttps://nzartsreview.org/2025/08/03/home-land-and-sea/https://nzartsreview.org/wp-content/uploads/2025/08/ballet-c.jpgHome, Land & Sea triple bill, July 2025Home, Land & Sea triple bill, July 2025, by the Royal New Zealand Ballet. Photo credit: Stephen A’Court.https://nzartsreview.org/wp-content/uploads/2025/08/ballet-crys.jpegballet cryshttps://nzartsreview.org/wp-content/uploads/2025/08/ballet-land.jpegballet landhttps://nzartsreview.org/wp-content/uploads/2025/08/ballet-way.jpegballet way2025-08-03T04:13:02+00:00monthlyhttps://nzartsreview.org/2025/08/02/burlesque-satire-drenched-with-quality/https://nzartsreview.org/wp-content/uploads/2025/08/image.pngimage2025-08-02T03:59:39+00:00monthlyhttps://nzartsreview.org/2025/07/27/world-press-photo-contest-the-best-of-photojournalism/https://nzartsreview.org/wp-content/uploads/2025/07/photo-machado.jpgphoto machadohttps://nzartsreview.org/wp-content/uploads/2025/07/photo-gunfir.jpgphoto gunfirTitle: A Nation in Conflict Credit: © Ye Aung Thu Caption: Karen National Liberation Army (KNLA) and SOF fighters fire a heavy machine gun, in an attack on a junta military camp. Taung Soon, Kayin State, Myanmar, 21 April 2024. Story: Myanmar has been racked by internal conflict for decades, most recently a 2021 military coup, which sparked widespread armed opposition, leading to revolution. Different civilian militias, loosely organized into the People’s Defense Forces (PDF), escalated resistance in 2024. The photographer lived through a 1988 military coup, aged six, and saw history repeat itself when his own son was six in 2021. He has since traveled across the country, documenting different insurgent groups, and observing how their determination brings hope in dark times.https://nzartsreview.org/wp-content/uploads/2025/07/photo-te-urewera-tatsianachypsanava-01.jpgphoto te urewera-TatsianaChypsanava-01https://nzartsreview.org/wp-content/uploads/2025/07/hoto-surf-2.webphoto surf 2https://nzartsreview.org/wp-content/uploads/2025/07/photo-grrom.pngphoto grromhttps://nzartsreview.org/wp-content/uploads/2025/07/photo-trump.webpphoto trumphttps://nzartsreview.org/wp-content/uploads/2025/07/phot-gaza.webpphot gaza2025-07-27T03:56:32+00:00monthlyhttps://nzartsreview.org/2025/07/20/shakespearean-disappointment/https://nzartsreview.org/wp-content/uploads/2025/07/image.pngimage2025-07-20T03:18:41+00:00monthlyhttps://nzartsreview.org/2025/07/16/the-monster-in-the-maze-a-new-community-opera-opera-from-n-z-opera/https://nzartsreview.org/wp-content/uploads/2025/07/nzo_monster_1-portrailimage.jpgNZO_Monster_1 PortrailImage2025-07-15T23:51:11+00:00monthlyhttps://nzartsreview.org/2025/07/14/the-art-of-banksy/https://nzartsreview.org/wp-content/uploads/2025/07/banksy-dancer.jpgbanksy dancerhttps://nzartsreview.org/wp-content/uploads/2025/07/banksy-flowers.jpgbanksy flowershttps://nzartsreview.org/wp-content/uploads/2025/07/banksya-natives.jpgbanksya nativeshttps://nzartsreview.org/wp-content/uploads/2025/07/banksy-small-wall.jpgbanksy small wallhttps://nzartsreview.org/wp-content/uploads/2025/07/banks-girl-baloon.jpgbanks girl baloon2025-07-13T21:59:31+00:00monthlyhttps://nzartsreview.org/2025/07/13/the-auckland-philharmonias-nightscapes/https://nzartsreview.org/wp-content/uploads/2025/07/apo-nightscapes_08_rush-c-sav-schulman60955.jpgapo NIGHTSCAPES_08_RUSH (c) Sav Schulman[60955]2025-07-13T09:03:59+00:00monthlyhttps://nzartsreview.org/2025/07/06/la-traviata-exceptional-voices-intelligent-direction-and-a-superb-conductor/https://nzartsreview.org/wp-content/uploads/2025/07/la_traviata_05_c-sav-schulman60744.jpgLA_TRAVIATA_05_(c) Sav Schulman[60744]https://nzartsreview.org/wp-content/uploads/2025/07/la_traviata_10_c-sav-schulman60745.jpgLA_TRAVIATA_10_(c) Sav Schulman[60745]https://nzartsreview.org/wp-content/uploads/2025/07/la_traviata_01_c-sav-schulman60742.jpgLA_TRAVIATA_01_(c) Sav Schulman[60742]2025-07-09T09:21:18+00:00monthlyhttps://nzartsreview.org/2025/07/02/grace-wright-grand-illusions/https://nzartsreview.org/wp-content/uploads/2025/07/wright-on-the-beauty-of-song-2025.webpwright-on-the-beauty-of-song-2025https://nzartsreview.org/wp-content/uploads/2025/07/wright-the-causes-of-seeds-plants-and-fruits-2025.jpgwright-the-causes-of-seeds-plants-and-fruits-2025https://nzartsreview.org/wp-content/uploads/2025/07/wright-cosmography-2025.webpwright-cosmography-2025https://nzartsreview.org/wp-content/uploads/2025/07/wright-the-truth-is-in-the-depths-2025.webpwright-the-truth-is-in-the-depths-20252025-07-09T09:20:31+00:00monthlyhttps://nzartsreview.org/2025/06/27/violinist-arabella-steinbacher-shines-in-auckland-philharmonias-beethoven-5-concert/https://nzartsreview.org/wp-content/uploads/2025/06/aklphil_cs3_beethoven_5_01_c-sav-schulman60551.jpgAKLPHIL_CS3_BEETHOVEN_5_01_(c) Sav Schulman[60551]2025-07-09T09:19:10+00:00monthlyhttps://nzartsreview.org/2025/06/21/end-of-summer-time-unexpected-ode-to-auckland/https://nzartsreview.org/wp-content/uploads/2025/06/summer-1.jpgsummer 1https://nzartsreview.org/wp-content/uploads/2025/06/image.jpegimage2025-07-09T09:18:08+00:00monthlyhttps://nzartsreview.org/2025/06/21/roger-halls-end-of-summer-time-sparkling-dialogue-and-consummate-acting/https://nzartsreview.org/wp-content/uploads/2025/06/summer-2.jpgsummer 22025-07-09T09:16:54+00:00monthlyhttps://nzartsreview.org/2025/06/05/black-graces-rage-rage-focussed-and-potent-dance/https://nzartsreview.org/wp-content/uploads/2025/06/black-company-b-rage-rage-supporting-image-3-low-res59950.jpgblack Company B - Rage Rage Supporting Image 3 Low Res[59950]2025-06-18T04:14:26+00:00monthlyhttps://nzartsreview.org/2025/06/08/the-walter-cook-collection-a-small-jewel-in-the-crown-of-te-papa/https://nzartsreview.org/wp-content/uploads/2025/06/cook-3.jpgcook 3https://nzartsreview.org/wp-content/uploads/2025/06/cook-4.jpgcook 4https://nzartsreview.org/wp-content/uploads/2025/06/cook-2.jpgcook 2https://nzartsreview.org/wp-content/uploads/2025/06/cook-1.jpgCG001804~v 2~https://nzartsreview.org/wp-content/uploads/2025/06/cook-tm.jpgcook tm2025-06-18T04:13:43+00:00monthlyhttps://nzartsreview.org/2025/06/11/la-traviata-coming-to-auckland-with-the-auckland-philharmonia/https://nzartsreview.org/wp-content/uploads/2025/06/trav-phillip-rhodes_col_full260072.jpgtrav Phillip Rhodes_col_full2[60072]https://nzartsreview.org/wp-content/uploads/2025/06/trav-oliver-sewell-headshot-c-emma-brittenden60071.jpgtrav Oliver Sewell headshot (c) Emma Brittenden[60071]https://nzartsreview.org/wp-content/uploads/2025/06/trav-luiza-fatyol_160070.jpgtrav Luiza Fatyol_1[60070]2025-06-18T04:12:56+00:00monthlyhttps://nzartsreview.org/2025/06/18/ruth-clelands-exploration-of-the-enigmatic-quality-of-concrete/https://nzartsreview.org/wp-content/uploads/2025/06/sumer-ruth-cleland-grid-concrete-floor-1-2025-1.webpsumer-ruth-cleland-grid-concrete-floor-1-2025 (1)https://nzartsreview.org/wp-content/uploads/2025/06/sumer-ruth-cleland-concrete-floor-1-2024.jpgsumer-ruth-cleland-concrete-floor-1-2024https://nzartsreview.org/wp-content/uploads/2025/06/sumer-ruth-cleland-concrete-3-2025-1.jpgsumer-ruth-cleland-concrete-3-2025 (1)2025-06-18T04:11:03+00:00monthlyhttps://nzartsreview.org/2025/06/03/la-clique-a-magical-and-adventurous-show/https://nzartsreview.org/wp-content/uploads/2025/06/fire.jpegfirehttps://nzartsreview.org/wp-content/uploads/2025/06/boon.jpegboonhttps://nzartsreview.org/wp-content/uploads/2025/06/hutton-1.jpeghuttonhttps://nzartsreview.org/wp-content/uploads/2025/06/hutton.jpeghuttonhttps://nzartsreview.org/wp-content/uploads/2025/06/fkdgl5iw.jpegFKDgl5iw2025-06-05T05:41:43+00:00monthlyhttps://nzartsreview.org/2025/05/31/n-z-operas-la-boheme/https://nzartsreview.org/wp-content/uploads/2025/05/laboheme_-emmapearson_creditandicrown_sml.jpgLaboheme_ EmmaPearson_creditAndiCrown_smlhttps://nzartsreview.org/wp-content/uploads/2025/05/boheme-2.jpgboheme 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Schulman2025-04-14T09:51:16+00:00monthlyhttps://nzartsreview.org/2025/03/30/groundwork-the-art-and-writing-of-emily-cumming/https://nzartsreview.org/wp-content/uploads/2025/03/1000000293.jpgHyperFocal: 0HyperFocal: 0https://nzartsreview.org/wp-content/uploads/2025/03/1000000294.jpg1000000294https://nzartsreview.org/wp-content/uploads/2025/03/1000000291.jpgHyperFocal: 0HyperFocal: 0https://nzartsreview.org/wp-content/uploads/2025/03/1000000295.jpg10000002952025-04-08T08:13:46+00:00monthlyhttps://nzartsreview.org/2024/09/06/hurst-and-ward-lealand-give-moving-performances-in-in-other-words/https://nzartsreview.org/wp-content/uploads/2024/09/in-2.jpgin 22025-04-05T06:32:31+00:00monthlyhttps://nzartsreview.org/2025/04/03/high-couture-meets-high-country/https://nzartsreview.org/wp-content/uploads/2025/03/1000000281-2.jpg1000000281https://nzartsreview.org/wp-content/uploads/2025/03/1000000280-1.jpg1000000280https://nzartsreview.org/wp-content/uploads/2025/03/1000000280.jpg1000000280https://nzartsreview.org/wp-content/uploads/2025/03/1000000281-1.jpg1000000281https://nzartsreview.org/wp-content/uploads/2025/03/1000000281.jpg10000002812025-04-04T14:17:46+00:00monthlyhttps://nzartsreview.org/2025/03/28/auckland-philharmonias-enigma/https://nzartsreview.org/wp-content/uploads/2025/03/apo-karl-heinz.jpgapo karl heinz2025-03-28T00:43:40+00:00monthlyhttps://nzartsreview.org/2025/03/25/animal-the-great-little-show-in-the-farmyard/https://nzartsreview.org/wp-content/uploads/2025/03/animal.webpanimal2025-03-25T00:59:16+00:00monthlyhttps://nzartsreview.org/2025/03/23/party-time-at-the-town-hall-with-neil-ieremia/https://nzartsreview.org/wp-content/uploads/2025/03/neil-2.jpegneil 2https://nzartsreview.org/wp-content/uploads/2025/03/neil-1.jpegneil 12025-03-23T04:14:09+00:00monthlyhttps://nzartsreview.org/2025/03/21/an-achingly-sublime-streetcar-finessed-to-perfection/https://nzartsreview.org/wp-content/uploads/2025/03/streetcar.webpstreetcar2025-03-21T00:20:44+00:00monthlyhttps://nzartsreview.org/2025/03/18/tony-fomison-life-of-the-artist/https://nzartsreview.org/wp-content/uploads/2025/03/fomison-tat.webpfomison tathttps://nzartsreview.org/wp-content/uploads/2025/03/fomison_front_cover__23426.jpgFomison_Front_Cover__234262025-03-18T02:01:15+00:00monthlyhttps://nzartsreview.org/2025/03/17/gene-kelly-a-life-in-music/https://nzartsreview.org/wp-content/uploads/2025/03/kelly2.jpegkelly22025-03-17T02:13:28+00:00monthlyhttps://nzartsreview.org/2025/03/16/hedy-the-life-inventions-of-hedy-lamar/https://nzartsreview.org/wp-content/uploads/2025/03/hedy.webphedy2025-03-16T10:22:01+00:00monthlyhttps://nzartsreview.org/2025/03/14/lula-washington-dance-theatre/https://nzartsreview.org/wp-content/uploads/2025/03/zadfdkgg.jpegZadFDKgg2025-03-13T23:50:36+00:00monthlyhttps://nzartsreview.org/2025/03/12/dick-frizzells-picaresque-memoir-of-the-artist-as-a-young-man/https://nzartsreview.org/wp-content/uploads/2025/03/hastings.jpghastings2025-03-11T22:21:11+00:00monthlyhttps://nzartsreview.org/2025/03/11/you-are-here-linking-language-memories-and-landscape/https://nzartsreview.org/wp-content/uploads/2025/03/larkin.jpglarkin2025-03-10T22:11:24+00:00monthlyhttps://nzartsreview.org/2025/03/10/a-mixtape-for-maladies-music-and-memories-of-a-war/https://nzartsreview.org/wp-content/uploads/2025/03/k3xli2fg.jpegK3XLI2Fghttps://nzartsreview.org/wp-content/uploads/2025/03/mixtape.jpegmixtape2025-03-10T03:38:44+00:00monthlyhttps://nzartsreview.org/2025/03/07/belle-spectacular-and-disjointed/https://nzartsreview.org/wp-content/uploads/2025/03/belle.webpbelle2025-03-07T01:31:28+00:00monthlyhttps://nzartsreview.org/2025/03/06/black-grace-turns-30/https://nzartsreview.org/wp-content/uploads/2025/03/march-preview-black-grace-this-is-not-a-retrospective-low-resolution58537.jpgmarch preview Black Grace - This Is Not A Retrospective Low Resolution[58537]2025-03-05T20:37:04+00:00monthlyhttps://nzartsreview.org/2025/03/02/six-the-musical-more-than-mere-glitz/https://nzartsreview.org/wp-content/uploads/2025/03/image.pngimage2025-03-02T08:52:39+00:00monthlyhttps://nzartsreview.org/2025/02/28/auckland-philharmonias-brahms-3-and-a-masterly-james-ehnes/https://nzartsreview.org/wp-content/uploads/2025/02/apo-ehnes-7.jpgapo ehnes 72025-02-28T01:59:42+00:00monthlyhttps://nzartsreview.org/2025/02/15/thrilling-performances-of-beethoven-strauss-for-apos-first-concert/https://nzartsreview.org/wp-content/uploads/2025/02/apo-ehnes.jpgapo ehneshttps://nzartsreview.org/wp-content/uploads/2025/02/apo-zhang-1.jpgapo zhang 1https://nzartsreview.org/wp-content/uploads/2025/02/apo-zhang-23_fotor.jpgapo zhang 23_Fotor2025-02-16T21:03:52+00:00monthlyhttps://nzartsreview.org/2024/12/20/olafur-eliasson-the-leonardo-da-vinci-of-our-time/https://nzartsreview.org/wp-content/uploads/2024/12/olaf-corridor.jpgolaf corridorhttps://nzartsreview.org/wp-content/uploads/2024/12/olaf-the-glacier-melt-series-1999-2019-detail_21496.webpolaf the-glacier-melt-series-1999-2019-detail_214962025-02-07T02:49:22+00:00monthlyhttps://nzartsreview.org/2025/01/23/a-complete-unknown-how-bob-dylan-became-known/https://nzartsreview.org/wp-content/uploads/2025/01/dylan-4.webpdylan 4https://nzartsreview.org/wp-content/uploads/2025/01/dylan-1.jpgdylan 12025-02-07T02:47:11+00:00monthlyhttps://nzartsreview.org/2025/01/23/shakespeare-in-the-park-a-cold-blooded-tragedy-and-a-highly-promising-comedy/https://nzartsreview.org/wp-content/uploads/2025/01/shake-picture1.jpgshake Picture1https://nzartsreview.org/wp-content/uploads/2025/01/shakes-2.jpgshakes 22025-02-07T02:46:26+00:00monthlyhttps://nzartsreview.org/2025/02/03/three-exhibitions-k-rd-palmer-creed-parekowhai/https://nzartsreview.org/wp-content/uploads/2025/02/k-rd-pare.jpgK rd Parehttps://nzartsreview.org/wp-content/uploads/2025/02/k-rd-creed-no-3766-1.jpgK rd Creed No 3766https://nzartsreview.org/wp-content/uploads/2025/02/k-rd-martin-creed-work-no.-3764.jpgk rd Martin-Creed-Work-No.-3764https://nzartsreview.org/wp-content/uploads/2025/02/k-rd-palmer-kook.jpgK rd palmer Kookhttps://nzartsreview.org/wp-content/uploads/2025/02/k-rd-plamer-matauri-red-line.jpgK rd Plamer matauri red linehttps://nzartsreview.org/wp-content/uploads/2025/02/k-rd-palmer-sheep.jpgK rd Palmer sheephttps://nzartsreview.org/wp-content/uploads/2025/02/k-rd-lett2_fotor.jpgk rd lett2_Fotor2025-02-07T02:45:46+00:00monthlyhttps://nzartsreview.org/2025/02/04/a-century-of-modern-art-coming-to-the-auckland-art-gallery-in-june/https://nzartsreview.org/wp-content/uploads/2025/02/toledo-paul-gauguin-street-in-tahiti-1891-oil-on-canvas-toledo-museum-of-art-purchased-with-funds-from-the-libbey-endowment-gift-of-edward-drummond-libbey-1939.82-1.jpgPaul Gauguin, French, 1848-1903; Street in Tahiti; 1891;oil on canvas;H: 45 1/2 in. (115.5 cm); W: 34 7/8 in. (88.5 cm)Paul Gauguin, French, 1848-1903; Street in Tahiti; 1891;oil on canvas;H: 45 1/2 in. (115.5 cm); W: 34 7/8 in. (88.5 cm) The vibrant colors of Paul Gauguin’s painting express his intense reaction to the mysteries of the “new Eden” that he found in Tahiti. Dissatisfied with the values of modern European culture, Gauguin left France in search of a more primitive way of life lived in intimate association with nature. His main goal was to renew his art through contact with a non-European, pre-industrial culture. In 1891 he traveled to Tahiti in the South Pacific and found what he was seeking. "Street in Tahiti" was among the first group of paintings he produced in Tahiti during his initial two-year stay. In the painting, Gauguin sought to convey something of the special character of the place—the limpid light, rich color, lush vegetation, and lofty mountains—through his use of strong contours, flattened shapes, repeated curving rhythms, and tautly patterned brushstrokes. The overall effect of the landscape is sumptuous and majestic. However, minor notes of strain such as the brooding woman and heavy clouds pressing down from above introduce vague undertones of sadness and disquiet.; Toledo Museum of Art; 1939.82;https://nzartsreview.org/wp-content/uploads/2025/02/toledo-berthe-morisot-in-the-garden-at-maurecourt-1884-oil-on-canvas-toledo-museum-of-art-purchased-with-funds-from-the-libbey-endowment-gift-of-edward-drummond-libbey-1.jpgIn the Garden at MaurecourtIn the Garden at Maurecourthttps://nzartsreview.org/wp-content/uploads/2025/02/toledo-claude-monet-water-lilies-about-1922-toledo-museum-of-art-purchased-with-funds-from-the-libbey-endowment-gift-of-edward-drummond-libbey.jpgClaude Monet, French, 1840-1926; Water Lilies ; about 1922;oil on canvas;H: 79 in. (200.7 cm); W: 84 in. (213.3 cm).Claude Monet, French, 1840-1926; Water Lilies ; about 1922;oil on canvas;H: 79 in. (200.7 cm); W: 84 in. (213.3 cm). Plants, water, and sky seem to merge in Claude Monet’s evocative painting of his lily pond at Giverny. The disorienting reflections, bold brushstrokes, and lack of horizon line or spatial depth make Water Lilies appear almost abstract. Painted about 1922, it belongs to a grand project that Monet had conceived as far back as 1897: “Imagine a circular room whose wall . . . would be entirely filled by a horizon of water spotted with [water lilies]… the calm and silence of the still water reflecting the flowering display; the tones are vague, deliciously nuanced, as delicate as a dream.” Monet began this ambitious project in 1914, finally completing it shortly before his death in 1926. Over those years he executed more than 60 paintings of his water garden, capturing the light conditions at different times of day and in different weather. Twenty-two of these large panels were installed in the Orangerie in the Tuileries Gardens, Paris, as a gift to France. 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52024-11-20T08:53:18+00:00monthlyhttps://nzartsreview.org/2024/11/18/the-passion-and-drive-of-alexander-gavrylyuk/https://nzartsreview.org/wp-content/uploads/2024/11/nzso-bruegel-the-fall-of-icarus-c.-1558.jpgnzso Bruegel - The Fall of Icarus, c. 1558https://nzartsreview.org/wp-content/uploads/2024/11/nzso-gavv.jpgnzso gavv2024-11-18T03:49:11+00:00monthlyhttps://nzartsreview.org/2024/11/18/this-dolls-house-sizzles/https://nzartsreview.org/wp-content/uploads/2024/11/dolls-house-3.jpegDolls House 32024-11-17T21:42:26+00:00monthlyhttps://nzartsreview.org/2024/11/16/luise-fongs-nexus-examines-the-body-and-the-cosmos/https://nzartsreview.org/wp-content/uploads/2024/11/fong-omni2_fotor-1.jpgfong omni2_Fotorhttps://nzartsreview.org/wp-content/uploads/2024/11/fong-twilight-iii2_fotor-2.jpgfong twilight iii2_Fotorhttps://nzartsreview.org/wp-content/uploads/2024/11/fong-pathology2-93_fotor-2.jpgfong pathology2 93_Fotor2024-11-16T02:15:05+00:00monthlyhttps://nzartsreview.org/2024/11/12/te-whare-o-rehua-sarjeant-gallery/https://nzartsreview.org/wp-content/uploads/2024/11/whang-denton-3.jpgwhang denton 3https://nzartsreview.org/wp-content/uploads/2024/11/whang-cover.jpgwhang cover2024-11-11T21:06:31+00:00monthlyhttps://nzartsreview.org/2024/10/23/atcs-six-plays-for-2025/https://nzartsreview.org/wp-content/uploads/2024/10/atc-25-mary.jpegatc 25 maryhttps://nzartsreview.org/wp-content/uploads/2024/10/at-25-witi.jpegat 25 witihttps://nzartsreview.org/wp-content/uploads/2024/10/atc-25-murder.jpegatc 25 murder2024-10-23T02:38:49+00:00monthlyhttps://nzartsreview.org/2024/10/21/tempo-dance-festival-in-transit-matter-and-slip/https://nzartsreview.org/wp-content/uploads/2024/10/tempo-in-transit-2.jpegtempo in transit 2https://nzartsreview.org/wp-content/uploads/2024/10/tempo-slip-2.pngtempo sliphttps://nzartsreview.org/wp-content/uploads/2024/10/tempo-rua-2.jpgtempo rua2024-10-21T04:19:48+00:00monthlyhttps://nzartsreview.org/2024/10/17/the-apos-2025-season-revealed/https://nzartsreview.org/wp-content/uploads/2024/10/apo-2025-runga.jpegapo 2025 rungahttps://nzartsreview.org/wp-content/uploads/2024/10/apo25sung.jpegapo25sunghttps://nzartsreview.org/wp-content/uploads/2024/10/apo-2025-peruenes.jpegapo 2025 perueneshttps://nzartsreview.org/wp-content/uploads/2024/10/apo25-ehnes.jpegapo25 ehneshttps://nzartsreview.org/wp-content/uploads/2024/10/apo25-bleuse.jpegapo25 bleuse2024-10-17T09:05:17+00:00monthlyhttps://nzartsreview.org/2024/10/14/shane-cotton-new-paintings-and-new-directions/https://nzartsreview.org/wp-content/uploads/2024/10/shane-cotton-the-great-attractors-2024-1.webpshane-cotton-the-great-attractors-2024 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Photo credit: Stephen A’Court.https://nzartsreview.org/wp-content/uploads/2024/05/ballet-swan.jpgSwan LakeSwan Lake by the Royal New Zealand Ballet, May 2024. 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Harris Grotesquerie No.20 2009 oil on canvas 89.0 x 61.0 cm Collection the artist, Melbourne © the artist Photo: Brent 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